The three old players are on the same stage for the first time, and "Anti-drug 3" gives a sense of ceremony!


Special feature of 1905 film network In previous years, in the summer file, there was almost a Hong Kong film explosion:In 2017, Kill the Wolf and Greed the Wolf, 2019, Anti-drug 2, 2021, and 2022, the highest box office record of Hong Kong films in the Mainland has been constantly refreshed.


These films are all gangster action films, which is a trump card favored by the audience in the film market at present. Nowadays, everyone has gradually formed the habit of watching Hong Kong-made action movies every summer.

In the middle of this year, there has not been a Hong Kong film explosion, but finally a powerful new film of this type came in the summer file: Anti-drug 3: People in the Tianya released on July 6 (hereinafter referred to as Anti-drug 3).



For the audience who love watching Hong Kong films, familiar faces, classic feelings and upgraded scenes, "Anti-drug 3" can be described as full of sense of ceremony.


The three old operas are assembled for the first time, and the out-of-print lineup is one less.


Liu Qingyun+Louis Koo+Aaron Kwok, with an average age of 35 years, did not expect that it was only in "Anti-Drug 3" that the three people first cooperated in the same box. Louis Koo and Aaron Kwok last partnered in Judo Dragon and Tiger List in 2004. The last time Liu Qingyun and Aaron Kwok teamed up was in 1992′ s Dangerous Lovers.



Aaron Kwok said at the premiere that he had known Liu Qingyun and Louis Koo for a long time. More than 30 years ago, when he was in the training class for wireless artists, Liu Qingyun was his elder brother. Unfortunately, he didn’t maintain long-term cooperation after his debut.


Louis Koo and Aaron Kwok used to play judo in Judo Dragon and Tiger List. This time, in Anti-drug 3, they also had a specially designed "one minute" mixed fighting skill, and the confrontation between them was full of "recalling and killing".



Louis Koo and Liu Qingyun are well-known friends in the circle. In the past 22 years, they have cooperated in 17 films, and they are the actors who have cooperated with each other the most. Liu Qingyun is even more ridiculous. He doesn’t meet Louis Koo at ordinary times, just relying on filming to maintain the freshness of friendship.


After ten years, Liu Qingyun returned to the Anti-Drug series to catch up with Louis Koo, and the newly joined Aaron Kwok helped the trio to be on the same stage for the first time. This starring configuration can be said to take care of both the series of fans and the expectations of the audience who want to see the new changes in the lineup.



In the past fifteen years, Liu Qingyun, Aaron Kwok and Louis Koo have successively won the Best Actor Award in the Hong Kong Film Awards, and Liu Qingyun won the third Best Actor trophy this year with Detective Wars. They have both audience affinity and acting ability, which is obvious to all.


The series "Anti-drug" has always maintained the golden lineup of "Best Actor+",with Louis Koo+Nick Cheung+Liu Qingyun composing Anti-drug 1 and Andy Lau+Louis Koo composing Anti-drug 2. It is precisely because of this series that it is possible to gather more film emperors who are able to take the lead alone on the same stage.


This time, Liu Qingyun is no longer the front policeman in "Anti-Drug 1", but changed the image of a good man on the screen in the past, with long hair and beard, and made his first appearance as a drug Lord villain. Louis Koo interprets a completely different role from the previous two films, while the series "Newcomer" Aaron Kwok challenges a more complicated and psychologically deep character type.


They used to lead a series of excellent Hong Kong films to accompany the audience to grow up. Now they are all over 50, and their actor status is still the same as that of the past. They can still see their dedication and struggle on the big screen every year to perform action-packed films for the audience. "Anti-drug 3" can form such a luxurious out-of-print lineup made in Hong Kong, which can be said to be a rare opportunity to watch one less.


"Anti-drug" series for ten years, as brothers continue to accompany.


After the five-part series of Anti-Corruption Storm ended, only Anti-Drug and Shock Wave 2, two modern Hong Kong gangster films, are the most popular in the mainland market and are under development.


In 2013, "Anti-drug 1" won 237 million box office, won 7 nominations for the Hong Kong Film Awards, and was rated as "one of the best-looking gangster gun battles in Hong Kong" by the media.


"Five years! For five years! You know how I have been here for five years! " Awei is dead. You chose, idol! Duan Kun, I can’t eat it, and Jesus can’t keep him. "… The classic lines in the film and the brotherly confrontation scene of friendship and entanglement have always been praised by fans.


"Anti-drug 1" successfully opened up a new series of Hong Kong-made gangster films. In 2019, "Anti-drug 2" surged to 1.312 billion box office, setting a new box office record for Hong Kong films in China film history that year, and won the best visual effect award at the Hong Kong Film Awards, competing for the best international film award on behalf of Hong Kong, China.


From the story level, there are two core factors that can accumulate a large number of fans and form a strong market appeal.


On the one hand, this series firmly grasps and continues the immortal charm of undercover narrative modes such as Dragon and Tiger Storm, Marginal Man, Disciples and Infernal Affairs, and integrates them into the dangerous anti-drug theme, and the plot of identity reversal is full of twists and turns.


On the other hand, it follows the expression of brotherhood in classic Hong Kong films such as True Color of Heroes, Crossing the Sea, and Bloody Heroes, and leads the audience to taste the friendship and romance between men.


"Anti-drug 1" starts a brotherly complex with tortuous feelings from a poem "Vowing to Go to the Mountain of Knife", while "Anti-drug 2" depicts the betrayal and misunderstanding in friendship.


These emotional expressions are the most familiar background colors of Hong Kong films.


This time, "Anti-drug 3" has also returned to the mode of the first three heroes. It does not bury the puzzle of weaving "Who is undercover", but comes straight to the point, adopts a flashback memory narrative structure, and is parallel in two lines. On the one hand, police friends meet and join hands in undercover tasks, and on the other hand, drug lords lead their brothers to make a comeback in the Golden Triangle, so as to go deep into the story of police and robbers competing with each other.


The friendship between the police has moments of caring for each other and sharing life and death. There is suspicion, trust, regret and disappointment between undercover and drug dealers, which condenses into a touching friendship test.


"Anti-drug 3" continues the indispensable brotherly theme of Hong Kong films. The series has been accompanied by male audiences who like Hong Kong-made films like brothers for ten years. When the third part hits, it is still a classic formula and the same taste.


Hong Kong’s signboard is burning high, and the firepower is upgraded again.


In addition to the Hong Kong-style literary drama that does not fade with the changes of the times, the ultimate pursuit of action visual wonders in the series "Anti-Drug" also shows the true entertainment spirit of Hong Kong films.


In recent years, Qiu Litao, director of "Anti-drug 3", has been committed to challenging the shooting of hot scenes with high difficulty:


Shock Wave 2 fought fiercely in the Hung Hom tunnel; "Anti-drug 2" ran amok in the Central subway; Shock Wave 2 bombed Hong Kong International Airport and Tsing Ma Bridge. ……


In "Anti-drug 3", the gun battle between the police and drug dealers to bomb the Hong Kong pier was just a "starter". After moving to the spatial background of the Golden Triangle, the film completely got rid of the visual routine of bombing the urban landscape of Hong Kong.


The film did not hesitate to invest a lot of money in production, and set up a scene of nearly 50,000-square poison villages in the Golden Triangle at 1:1, showing the mountain forest raid gun battle and the highlight — — The plane’s heavy firepower air strikes and bombing, sweeping the poison village, such a more explosive and exciting grand scene.


Louis Koo bluntly said, "It’s not just a gunfight and an explosion, this time there are planes and cannons. When I read the script, I didn’t fantasize that the scene design that the director hoped was so exaggerated. It should be said that it was a police film outside my imagination. "


According to reports, there are as many as 18 kinds of firearms in the film, and each starring actor is equipped with at least one set of real guns under the condition of legal shooting.


Aaron Kwok said, "The actor fired a real gun, although it was a fake bomb, but the appeal and shock of shooting were different. It seems that in the process of real fighting, the excitement is stronger and the atmosphere is very real. "


The exploding action scene is the golden signboard of Hong Kong movies. Anti-drug 3 expands the firepower scale of the scene production, so that the audience can really enjoy the sense of visual sense. This is also the strongest weapon that Hong Kong-made gangster action movies can maintain their vitality.


In the ten years of "Anti-drug" series, the third part ushered in a more powerful world war. "Anti-drug 3" will not be the end of the series. I hope there will be a sequel and a new beginning, and the unique genre of Hong Kong films that have been going on for decades cannot disappear. It needs more excellent works and more support!


TF Li Guangjie, the last of the old boys, is finally going to be popular? And Zhao Liying group CP, which is a breakthrough.

I don’t know if it is the last quarter of the end of the year, and major videos are ready to rush their performance. Several dramas have released trailers. Among them, the "Wild Growth" produced by iQiyi video has a very good texture, not to mention the quality of the film, even this trailer is worth a few points, which looks quite scary.

The play was directed by Dongyu Fu, written by Zhang Ting and starring Zhao Liying, Oho Ou and Li Guangjie. Adapted from A Nai’s novel "Don’t Go to Life", it tells the story of Xu Banxia, the heroine who started from the grass, who, with her unique vision and courageous personality, made a breakthrough in the iron and steel industry where men got together and finally gained success.

For Anai, many viewers who follow the drama are actually familiar with it. The previous TV series "Great Rivers" was adapted from his novels. And this one, with the blessing of Zhao Liying, a super-first-line flower of 85, is undoubtedly a work that Zhao Liying is determined to prove his acting skills through this completely different role type.

And this time drama full of texture can also be seen from the trailer, and Zhao Liying is full of sincerity to the audience. Just a few lines cut out in the preview, you can hear Zhao Liying’s speech, which is a great progress compared with "Do you know if it should be green, fat, red and thin". The lines are not only clearly pronounced, but can be understood by everyone without subtitles, and the cadence has feelings. Obviously, she must have made a lot of efforts behind her back to get such a promotion.

At the same time, everyone noticed the emotional drama of Xu Banxia, played by Zhao Liying. In one scene, Zhao Liying, dressed in a retro rhombic cloak, pounced on Zhao Lei, played by Li Guangjie.

Zhao Lei’s setting in the original work is a businessman with culture and a sense of justice. Compared with the heroine’s unscrupulous means, his existence is the salvation of women. If this role is completed well, it is estimated that it will become Bai Yueguang in the eyes of the audience. For many years, Li Guangjie, as an invisible man, is finally going out of the circle this time?

Mention the name Li Guangjie, in everyone’s eyes, he has always been a role more famous than the actor himself. Few people can immediately reflect the actor’s own name when they see Li Guangjie, and at most, they can think out in their minds which TV dramas he has played. In other words, in a simple way, this is the performance of not being red.

In fact, this situation is similar to that of several Mesozoic actors with similar positioning to Li Guangjie. For example, his two good friends, Lei Jiayin and Guo Jingfei. All three people have good acting skills and often perform good works, but the roles are always more famous than the actors.

Compared with those handsome young guys, they can achieve instant success without acting and showing their faces. They can’t help but envy them. Therefore, they tease themselves that they are TF old boys, jokingly rubbing people’s enthusiasm. After the video they announced their debut was popular on the hot search, this group of grass-roots teams also had a special Baidu entry.

But who knows, just within a year or two after this popular group announced its debut, two other friends, Lei Jiayin and Guo Jingfei, one with "My First Half of Life" and the other with "Everything’s Fine", became popular, and their subsequent works continued to exert their strength, and both of them nominated Emperor Shi. Only three people, everyone thinks that Li Guangjie, who seems to be the most handsome, is left idle, so don’t be too embarrassed.

Besides, it’s embarrassing that he is not only the only one among the three who is not yet popular, but also the one with the highest starting point among the three.

Debut works participated in Zhang Li’s "Towards the Republic", which belongs to the existence of the ceiling in Douban score. Li Guangjie also played an important role in this play-Emperor Guangxu. The TV series has won a ceiling, and the film works are not bad. The first film production was directed by Gu Changwei’s beginning of spring, and it was not about soy sauce, which gave him a certain space to play the role of the unknown painter Huang Sibao.

In such a comparison, Lei Jiayin and Guo Jingfei are either marginal supporting actors who have struggled for many years on the stage of drama or in other dramas, and Li Guangjie has just got a card with a divine start.

However, with such a good start, he did not become the most brilliant of the three. Looking through Li Guangjie’s past personal resume, it’s not that he doesn’t want to be a supporting role, and it’s not that he doesn’t try a variety of plays and role types. So, what is the problem?

The reason is that there is no bright spot.

According to Guo Jingfei’s "Everything is Fine" and Lei Jiayin’s "The First Half of My Life", the two of them can be out of the circle because they are brilliant enough. What is the highlight of Li Guangjie’s work this time? That is, he has caught an absolute breakthrough, and it is necessary to produce the best sense of CP from Zhao Liying, which is going to transform from the Eighth Five-Year Plan to the Eighth Five-Year Plan. Once you get it right, Li Guangjie’s popularity will be just around the corner.

The great country showed its king’s demeanor, and the red flag sunflower brand appeared at the Beijing Auto Show.

When it comes to the top luxury of the automobile industry, I believe many people think of Rolls-Royce, Bentley and Maibakh. Many people still think of domestic cars as refrigerators, sofas and large color TVs. However, in this 2024 Beijing Auto Show, the red flag of China FAW showed the world the unique luxury that belongs to China. This time, FAW Hongqi Automobile made a glorious appearance in beijing international automotive exhibition in 2024, bringing a luxury car feast to many consumers.

In this Beijing Auto Show, FAW Hongqi Golden Sunflower brand grandly displayed the national team consisting of Guoyao, Guoya, Guoli and Guoyue, and showed the real strength from China to domestic and foreign consumers. Its China Yao showed us a full-size SUV with a glorious attitude, the National Gift showed us a top-class luxury flagship car, Guoya showed us an ultra-luxury executive car with elegant connotation, and Guoyue showed us a business bus with great country style and universal hospitality. The State Guest Team, composed of four new cars, also shows the king’s demeanor to outsiders.

In this conference, the attention of the two luxury cars is extremely high. After all, the luxury cars of the Red Flag Golden Sunflower brand are all targeted at some top luxury brands, and the positioning models are also direct to some top luxury cars such as Maibakh S-class, Bentley Feichi and Rolls-Royce Gusteau. The first to bear the brunt is the brand-new ultra-luxury executive car-Guoya. As a luxury car that combines Chinese aesthetics with cutting-edge technology, it reveals the cultural heritage and national integrity of China’s characteristic traditions everywhere. Hongqi Guoya has a vehicle size of 5353×1997×1514 mm and a wheelbase of 3260 mm. Such a huge size also brings a stronger gas field to the vehicle. In terms of appearance design, Hongqi Guoya inherits the Chinese cultural connotation as a whole, and perfectly blends the appearance color with the beautiful lines. The brand of sunflower seeds carries a strong atmosphere, and the unique brand cultural and historical connotation also brings more rich cultural connotation to Guoya. The front part of Guoya’s appearance adopts the headlight design of the round place, and even the simple pen outlines the simple details, highlighting the temperament of the whole car. After the front light is lit, it looks like a vast mountain from a distance and flows like a Milky Way from a close view, plus a straight waterfall grille and exclusive lifting signs, highlighting the power of luxury cars in big countries. For the first time, Hongqi Guoya was equipped with an automatic lifting flag with exclusive products of 3 million luxury cars, revealing the exclusive luxury of Guoya again from the side. In terms of interior, Hongqi Guoya continues the classic symmetrical axis layout, and the front cabin overall presents a sense of Chinese aesthetics, which is upright and luxurious. The interior atmosphere lights are like being in the starry sky.Adopting the concept of inheriting mountains and rivers will make the interior atmosphere more poetic. As a luxury car, the comfortable and distinguished rear seat experience is the highlight of this car. The rear seat is surrounded by the sense of independence. The C-seat exclusive experience can make people feel super luxury as soon as they sit in the back seat. Twenty-two exclusive seats with C-seat plus 40 top-level generating unit stereos, including 32 speakers and 8 seat oscillators, can present 7.1.4Dolby panoramic sound images for the C-seat. You can enjoy the 4 D surround sound quality experience and enjoy the heavenly sound when you sit in the car.

In this new product launch, in addition to the new Hongqi Guoya showing the super luxury of its own brand, another Hongqi national gift shows the top level of domestic luxury. The Hongqi national gift was renamed from Hongqi L5, with the length, width and height of 5980×2090×1710 and the wheelbase of 3730 mm, which is even bigger than Guoya.

The Red Flag National Gift also has the flag that can be lifted automatically, and the spindle design of the whole car body continues to inherit the classic overall posture of standing tall, high on the chest and low on the back. The majesty and dignity also convey the noble atmosphere of the national gift as a concierge car. A large number of external shapes are integrated into the round place, and the design of alpine waterfalls contains the philosophical thought of harmony between man and nature. The straight waterfall-shaped grille of the front net also comes from the bamboo festival, which is inspired by the rising trend and everything goes well. The headlights continue to inherit the barrel headlamp group, connecting the past and the future like just visiting, while the longitudinal taillights adopt the traditional palace lantern modeling, blending classical and modern aesthetics. In terms of vehicle interior, many natural plant elements, such as plum, orchid, bamboo and chrysanthemum, are used in the interior of the vehicle, and the theme of spring scenery is full of gardens, creating an overall natural and luxurious texture. The landscape painting is also a highlight of the red flag national ceremony. The audio details in the interior are derived from the traditional landscape culture of China, and the addition of landscape painting elements can also be described as the finishing touch of the whole vehicle. Compared with the comfort of the car, Guoya is a higher level. From the five aspects of sight, hearing, smell, touch and knowledge, the top luxury cars will be pushed to the peak level again.

In addition, in this brand launch conference of Golden Sunflower, the concept car of Golden Sunflower also made its debut. This concept car represents the front face of the future design language. Although it retains a lot of Chinese elements, it still adds a lot of future technologies, especially the headlight group, which has the most sense of design. The scattered light sources bring a stronger visual effect to the whole car, and blend retro with the trend. In addition, this car has a unique way of opening the door, and the shape of the scissor door is absolutely amazing to many viewers. Coupled with the rear of the car, it has the taste of a GT performance car.

The first appearance of Hongqi Sunflower brand in Beijing’s production has also made Chinese people see the top car-making level of domestic independent brands. Hongqi, as a historic vehicle, symbolizes the facade of China automobile. In the future, it may take some time for China FAW Hongqi to go hand in hand with the mainstream luxury car brands in the market, but at least at present, China’s independent brands have also shown a proud trend. I believe that in the near future, China FAW Hongqi will be able to shine in the international arena and continue to lead the king of big countries.

The CIRC issued the Interim Measures for the Traceability of Insurance Sales Behavior.

  CCTV News:The China Insurance Regulatory Commission (CIRC) announced in official website today that in order to further standardize the insurance sales service behavior, solve the problem of sales fraud and misleading that consumers are concerned about, and effectively optimize the insurance consumption environment, the China CIRC has recently issued the Interim Measures for the Retrospective Management of Insurance Sales Behavior.

  Through retrospective management of insurance sales behaviors of insurance companies and insurance intermediaries, the Measures record and save key links in the insurance sales process, so that sales behaviors can be replayed, important information can be inquired, and problem responsibilities can be confirmed.

  The "Measures" clarify that insurance companies and insurance intermediaries should record the whole process of insurance coverage when conducting telephone sales business; To carry out internet insurance business, retrospective management should be carried out in accordance with the relevant provisions of the supervision of internet insurance business; If an insurance company sells life insurance products with an insurance period of more than one year through a part-time insurance agency (including sales with self-service terminals and other equipment in the business premises of the part-time insurance agency), it is necessary to record and video key links; Through other sales channels, selling life insurance products with an insurance period of more than one year to policyholders aged 60 or above, or selling investment-linked insurance products, should record and video key links.

  Insurance companies and insurance intermediaries should strengthen the protection of the personal information of the insured and the insured in strict accordance with the relevant laws and regulations, and strictly keep confidential audio-visual materials and electronic data such as audio and video recordings, and shall not leak or copy them without authorization. It is strictly forbidden to use the materials for other commercial purposes. (CCTV reporter Wang Shantao)